Bearing a ‘desensitisation through confessional exposure' method, Irene's Pouliassi work examines how modern dystopias are arising from individual traumatic experiences. Through the concepts of trauma, Identity and decay and oppression, she makes comments on a world that develops from the aggression to the existential nihilism and from that point to absurdity. Having a multidisciplinary approach, Pouliassi works with bodily symbols as structuralist mirrors of identity depicting the popular cultures’ fetishisation of the traumatised as well as the objects of loss. Criticizing the role of the personal trauma to a desensitised society, implying how a monad can bespeak omnitude. Creating persuasion through identification, she claims that our shared worldview lies in our autobiographical expressions. Expressing her traumas through symbols and rituals, she is aiming people to learn about the artist but to identify how modern dystopias are arising from individual traumatic experiences.
Bearing a ‘desensitisation through confessional exposure' method, Irene's Pouliassi work examines how modern dystopias are arising from individual traumatic experiences. Through the concepts of trauma, Identity and decay and oppression, she makes comments on a world that develops from the aggression to the existential nihilism and from that point to absurdity. Having a multidisciplinary approach, Pouliassi works with bodily symbols as structuralist mirrors of identity depicting the popular cultures’ fetishisation of the traumatised as well as the objects of loss. Criticizing the role of the personal trauma to a desensitised society, implying how a monad can bespeak omnitude. Creating persuasion through identification, she claims that our shared worldview lies in our autobiographical expressions. Expressing her traumas through symbols and rituals, she is aiming people to learn about the artist but to identify how modern dystopias are arising from individual traumatic experiences.